All events at Washington Studio School are open to the public unless otherwise noted. Thank you for joining us. RSVP (phone or email) kindly appreciated.
Tuesday, February 7
Performance Begins @8:00
Download Harmony Extravaganza Flyer
View Performance Pics
What If we looked at parallels
between music and art?
Allie, Bess & Hannah will
perform 60-90 minutes of music
rich with vocal harmonies, using
guitar & piano accompaniment
Doors open @7:30pm
Suggested Donation $20
Cash or Check Only
Stream Songs for Free
HOLIDAY PARTY 2016
Live Jazz at the Party!
Let’s celebrate the next chapter of the school and ask ourselves
2016 Art All Night: Made in DC
View album of this extraordinary event!
4th ANNUAL BIG DRAW
WSS instructors available for demos
Dynamic still lifes
Studios to visit
Free drawing supplies
Open and free for all
Washington Studio School
Many thanks to Blick Art Materials
for generously offering supplies for THE BIG DRAW.
View Pics of Holiday Party
Please join us to
celebrate the holiday season at the
Washington Studio School Holiday Party
Sunday, December 6, 3015
4:00pm – 6:00pm
Please join us for food, wine, and festivities!
RSVP to email@example.com by December 1st
THE BIG DRAW
As we celebrate 30 years of art making to the entire community, the first 30 artists who showed up to THE BIG DRAW received a pass for an open session. Enjoy browsing at an album of randomly selected 30 drawings from THE BIG DRAW.
Painters on Paintings
Sunday Dec 7, 2014, 4-6pm
Please join the WSS community as we celebrate the holiday season and WSS’ accomplishments this past year. Enjoy live music and refreshments, see our current exhibitions, meet our wonderful volunteers, faculty and staff, and learn about our plans for the future as we approach the School’s 30th anniversary. Our Holiday celebration won’t be complete without you! RSVP kindly appreciated.
On view at WSS this month
Ken Kewley and Bettina Nelson works in 2nd floor library, and Certificate Graduation Exhibition “Wounded” by artist Pat Kraniotis in the main floor gallery.
Lecture: “Looking At Diebenkorn”
KEN KEWLEY AND BETTINA NELSON
Thursday November 13, 7-9pm
RSVP appreciated. (Come early to get a seat! RSVPs to this lecture have been overwhelming).
Ken Kewley, brilliant painter and gifted teacher, returns to WSS for a lecture and 3-day workshop. The workshop (completely FULL) is in conjunction with the Richard Diebenkorn, “Works on Paper” show opening at the Katzen Art Center November 8. Bettina Nelson is a dazzling recent graduate of the Pennsylvania Academy of Fine Art and a former student of Kewley’s. On Thursday, the evening before Kewley’s workshop, together they present a slide talk showing the influence of Diebenkorn on their own work. In the library on the 2nd floor, join us to view a selection of works from both Kewley and Nelson and for a reception following the lecture.
Ken Kewley: I make some shapes either in two or three dimensions and then adjust them until together they excite. There seems to be no end to the ways things can be adjusted: in shape, size, color, value, and texture, and/or turned around or turned over. I find that whatever is true, most times, the opposite is also true. This makes things easy and it make things hard. At least enough to fill a lifetime.
Bettina Nelson: I make collages, paintings and objects. My work comes about through improvisation and intuition. I use mostly found materials, such as printed cardboard found on recycling night, and other portable and non-toxic materials. Design, shape and color are always important; I use their different arrangements to create stories. Usually from the start I do not know what the piece will end up being, and if I think I know, I am often wrong. Without a predetermined outcome or path, the freedom to follow impulses lead to unexpected things. With great trust, my work is where risks and impulses are completely safe, where I can easily fall in love.Titles are important to me; they suggest a personal, emotional narrative. The work can exist with or without their narratives. My works need each other, like a sister to a brother, a lover to a lover.
Materials: Golden Paints Demo
2129 S Street, NW
Thursday October 30, 1:30-3:30pm. RSVP required.
The Golden Paints demo is a two-hour free educational presentation on paint, covering a broad range of acrylic products, as well as information about Williamsburg Oils and QoR Watercolors. The lecture covers pigment properties and paint formulations, gels, pastes, grounds, color mixing, drying time, health & safety concerns, and much more! Various acrylic materials and techniques (glazing, impasto, blending, grisaille…) will be demonstrated to enrich your understanding of the medium, among these you will learn basic tips for how to extend paint to save money and how to mix paints with gels and pastes to create exciting textures! We will also discuss Golden’s newest products, including the High Flow paints! Discover the possibilities and become inspired with how these fabulous materials can be added to your own creative process! Each attendee will get an information packet and some acrylic paint samples to take home!
Don’t miss this great opportunity to expand your medium knowledge! Free to the public, very informative and great to learn new techniques!
Art All Night DC, Saturday September 27
Washington Studio School
2129 S Street, NW
Washington Studio School invites you to a festive evening of Making art, Seeing art and Experiencing good music. Exotically costumed live models in elaborate theatrical set-ups will be on three floors. Paper, charcoal, chalk, pencils, and tons of crayons will be available for you to use. Come for a few minutes or for all four hours! While you’re here, check out the exhibition of faculty work in the main floor gallery – all to the tunes of DJ/artist Brian Kelley. Cookies served all night!
Art All Night DC, presented by the DC Commission on Arts and Humanities, is an all-night exploration and celebration of contemporary art, encompassing five of DC’s most vibrant neighborhoods: Dupont Circle, Shaw, North Capitol, H Street NE, and Congress Heights. Watch as DC’s creative community re-imagines public and private space and invites us all to see our city anew. Indoor and outdoor venues will showcase work by artists in a diverse range of media – with vibrant visual arts, street performances, live music, and DJs contributing to an unprecedented mash-up of cultural experiences in the nation’s capital. Visit DC’s creative community venues from 7pm to 3am on Saturday September 27. Learn more, locations, maps and artists at ArtAllNightDC.com.
Critique Session, Friday July 25, 3-5pm
UNIQUE OPPORTUNITY TO HEAR THEIR DIALOGUE!
Please join our summer Artist In Residence, Reem Bassous, along with her former teacher, Jo Weiss for a group critique/dialogue on Friday, July 25 from 3-5pm. While working towards her MFA at George Washington University, Reem took a number of classes at WSS with Jo. A dialogue began and continues today. Come and hear the conversation that ensues over a selection of student work! First five students to respond may have their work critiqued – but all are welcome and encouraged to attend and learn! No fee, however donations are greatly appreciated!
Please contact us to register as a WSS student with works or as an observer – 202-234-3030.
Maggie Siner, Visiting Artist Lecture
“Rembrandt and the Painter’s Hidden Geometry” with Maggie Siner.
Saturday, Feb 8, 2014, 3pm, $15. Register online or contact us.
Great painting is built on great structure. Discover the secret geometry that underlies pictorial composition as artist and teacher Maggie Siner guides us on an amazing journey through the shapes of a Rembrandt self-portrait, revealing its beautiful and sophisticated hidden meaning. This lecture is fascinating for both painters and non-painters.
Annual Holiday Party
Sunday Dec 8, 2013, 4-6pm
Join us for our annual holiday festivities and closing reception of two exhibits: WSS Faculty Show and Stuart Shils, “Drawings and Photos”
Stuart Shils, Visiting Artist Lecture & Exhibit
“Reframing the Ordinary” Condé Nast vacation or a bagel at the corner: Beginning with the Ordinary and Taking Closer Notice of What’s Right Before Our Eyes
Join us! Thursday, October 10, 2013, 7pm for a lecture followed by an opening reception for Shils’ paintings and photographs on view in our 2nd floor library.
Washington Studio School is pleased to welcome renowned painter Stuart Shils to present an artist’s talk, open to the public, on October 10 at 7pm and followed by an opening reception for his paintings and photographs on exhibit in our 2nd floor library.
Shils will also be at WSS teaching an all-day urban drawing workshop on Saturday October 12. (Class is full. Please call to be placed on the wait list.)
“It’s coming from an internal conversation with myself but also it’s coming from being out of doors for many years with the sensory sails hoisted, from the long conversation with many observations and considerations of things in the visible world even if they were only absorbed peripherally. And when you’re working “out there”, your job is not imitating what’s there, you’re trying to bring it all inside of yourself and beat your way into an interior place where it can get cooked up. And how all of this is going to come to the surface, how it’s all going to work out remains to be seen.” Stuart Shils to Nikolai Fox. Read more about this discussion here
Book Group: WSS is Reading
NOTE: NO BOOK GROUP FRIDAY 12/20 and 12/27
Meets Fridays 11-12:30pm. Discussion begins Sept 20
Open to all artists and the public
“The Books That Shaped Art History” is a series of articles originally published by Burlington Magazine critiquing the 20th century classics of art history. While the books included were published in the 20th century, the topics range from medieval to modern. This book may give us ideas for further reading in our Book Group and for your personal reading. It’s a new book, publisher is Thames and Hudson. Book discussion starts September 20th. Please read the introduction. For more information, contact Phyllis Mayes at firstname.lastname@example.org
Reem Bassous, Visiting Artist Exhibit
Friday, August 30, 2013
Artist Talk, 6:00pm followed by Opening Reception, 7:00pm
Lebanese-born artist Reem Bassous returns to Washington Studio School at the end of August with a two-day workshop and a new exhibition “Green Line” on view August 28 through October 5 in the WSS first floor gallery. Join us in this special opportunity to study Bassous’ works and to hear from the artist herself.
Special Event at The Phillips Collection
August 22, 2013 Thursday, 6:00pm at the Phillips
In this two-hour workshop, artists Ken Kewley and Jill Phillips begin with a short discussion on the Braque exhibition at The Phillips Collection focusing on the artist’s use of spatial arrangement and surface texture. Participants then respond to Braque’s work by creating collages in a classroom setting. All tools and materials are provided, and all experience levels are welcome. This event at the Phillips is produced in collaboration with Washington Studio School. Tickets must be purchased through the Phillips here. Cost: $25 for members and $35 for non-members. Fee includes entrance to the museum.
* The Phillips Collection at 1600 21st Street, NW is located three short blocks from Washington Studio School.
Ken Kewley Talk: Drawing from Braque
July 11, 2013 Thursday, 7:00pm at WSS
Visit to The Phillips, 3:30-5pm: Before the slide talk, join Kewley at The Phillips to view the Braque exhibit: “Georges Braque – The Cubist Still Life 1928-1945.” Meet at front entrance of the museum, 3:30. RSVP kindly appreciated.
Washington Studio School is conveniently situated three short blocks from The Phillips Collection, 1600 21st Street, NW. Entrance fee to the museum for non-members, $12.
The Big Draw 2013
June 30, 2013 Sunday, 12:00 – 4:00
Costumed models and dynamic still-life setups for you to draw from! WSS teachers available for instruction and demos. Music and light refreshments for you to enjoy! Studios to visit! Basic drawing materials are provided, but you are also welcome to bring your own.
Art supplies generously donated for this event by Utrecht! And thank you to our wonderful WSS community of artists and supporters for making this event possible.
ANNUAL STUDENT SHOW – CALL FOR ENTRIES
Our annual juried student show will be on exhibit July-August. This show demonstrates the best of WSS by showcasing excellent drawings, paintings and sculpture produced within the past 18 months. Works from students of all levels are represented and is juried accordingly. Work must have been produced at WSS or independently in direct continuation of work done in a WSS class. We can not accept work done with an instructor at another school.
This year, the show is juried by artist Milena Spasic. Many of you will remember our recent exhibition of Milena’s exquisite works in January 2012. Others know Milena as the expert on all art materials from shopping trips to Utrecht. Milena will be looking for work that is technically sound, demonstrates a strong understanding of visual language, and takes the classroom lessons into a personal realm. She will also be looking for a balanced and overall unified show. While a juried show means that all works cannot be accepted, and that sometimes it takes a few years of trying before being accepted (making the acceptance all the more meaningful!), the quality of the work in the show is always a strong testament to both our students and our faculty.
Faculty are available and happy to help with suggestions, but since the jurying depends on one person’s sensibility there is no guarantee that a faculty recommendation will be accepted. This, however, makes each show unique in it’s feel. Work should be submitted for jurying by Thursday, June 6th and will be juried on Friday, June 7th. Up to 3 pieces can be submitted per student. Work does not have to be framed for the jurying process, but needs to have your name, title of piece, phone number, e-mail address, student level (beginner, intermediate, advanced), and medium attached to the piece. THERE WILL BE NO LATE ADDITIONS TO THE STUDENT SHOW, as this negates the jurying process. Work MUST be submitted by the deadline.
We will do our best to notify everyone by e-mail about the status, but work will be placed in two different locations depending on whether it is to be in the show or not.
It will need to be picked up and prepared for exhibition if it has been accepted (framing, wiring.) Unless they are exceptionally large, all drawings should be framed and wired for hanging. Simple frames are best for group shows, and they can be found inexpensively. Paintings do not need to be in frames, but many students like to paint the edges or use electrical tape to give them a more finished look. Simple lattice wood strips cut to size also work well as inexpensive frames for paintings.
Accepted work should have the artist’s name, contact info, medium and price (if for sale) attached. It should be returned by July 1st as hanging will begin that day.
Throughout the year, WSS presents lectures by guest artists, curators, art historians and members of the faculty on contemporary topics of interest to the arts community. In addition, gallery talks are held in conjunction with exhibits. Free and open to the general public, these lecture-related events and gallery talks are popular among students and residents from the surrounding communities. Seating is available on a first-come, first-seated basis. Registration is not required but greatly appreciated by emailing email@example.com.
This fall, painter Mitchell Johnson visiting DC from his home in California joined us at WSS to give an informal presentation about color. In the 1980’s Mitchell studied with us here at WSS before moving to NYC, where he attended graduate school at Parsons School of Design. Mitchell’s paintings explore color and shape simultaneously, in abstract and representational ways, and are held in more than 700 collections. This collection includes over a dozen museums. He is represented by galleries around the country, and is the subject of numerous publications and articles.
Art historian Jen Samet delivered a stimulating lecture on “The Role of Empathy in Art,” delivering plenty of great food for thought. The lecture was well attended, bringing many from the WSS community of artists, students artists, and nearby neighbors.
Past lectures at WSS have been presented Jed Perl, Mason Oliveira, Stuart Shills, Paul Richard, Dore Ashton, Elizabeth Broun, Richard Cohen, Eric Denker, Reed Kay, Don Kimes, Hilton Kramer, Robert Kulicke, Stanley Lewis, Law B. Watlins, and Margaret White.
As an extension of our teachings in drawing, painting and sculpture, WSS brings its students a variety of films about art and artists. Free and open to the public, our film series is offered on Thursdays three to four times a year and is followed by a faculty-led discussion. Please check our events calendar for updated film presentations. RSVP is not required but is greatly appreciated by emailinb firstname.lastname@example.org.
Past films include Bill Cunnigham’s ” New York”, Balthus, Alberto Giacometti, Andy Goldsworthy “River and Tides”, “Louise Bourgoise: The Spider, the Mistress and the Tangerine,” and Francis Bacon.
Washington Studio School presents exhibits throughout the year in our gallery on the main floor and second floor library. These exhibits profile the works of students, faculty, and guest artists both as a teaching tool and to raise awareness of our artists community to the public. Each exhibit is on view from four to six weeks. Free and open to the public, WSS presents the artist at his or her opening reception. These are held during the evening on a Friday or Saturday. On occasion and in conjunction with artist exhibits, we hold artist gallery talks.
Washington Studio School provides critiques for current students and students in our certificate program. This is an opportunity for students to bring works in progress to be evaluated by professional artists who are teaching faculty or closely involved with our community of artists. We ask students to register in advance. Critiques are usually scheduled at the latter half of the term and are free. Past critiques have been led by faculty and guest artists including Jo Weiss, Juliana Netschert, Jack Boul, Martin Kotler, Susan Yanero, Lee Newman, Carolyn Reece-Tomlin, Carlton Fletcher and Diane Wilson.